Curator: Neta Gal-Azmon 6.4.2017 - 5.8.2017

 For over a month (from June 18 to July 23, 2011), in a period known as "the social protest," Boaz Aharonovitch uploaded daily digital drawings to his Facebook page. The drawings were created after press photographs reporting demonstrations throughout the country. (The original drawings were recently supplemented by documentary drawings alluding to later articles in the press). Via an ostensibly laconic, yet lyrical, reporting style, Aharonovitch's drawings depict harsh, charged, and violent encounters between policemen and demonstrators — grabbing, beating, arrests. Now their enlargements are being displayed on the wall, interwoven like a thicket which invests them with an intimate, near-erotic quality. The delicate contours on the black surface, despite the digital implementation, resemble street protest graffiti; the light summer clothes on the young protesters are juxtaposed with the rigid police uniform conveying power and control. The viewer is swept into the wandering motion vis-à-vis the piece on the wall, in an attempt to decipher what it portrays: a truncheon, a baseball cap, a horse's head, a walkie-talkie, a cuffed protester — all these are revealed, emerging from a cryptograph, as it were. The density ofמthe meshed drawings is opposed to the lightness of each drawing as an individual image. Alongside the sense of chaos, this drawn tangle generates crowd power — strength resulting from the coming together of many individuals to pursue a common goal.