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Citizens

Curator: Neta Gal-Azmon 6.4.2017 - 5.8.2017

Zohar Gotesman's monumental throne was inspired by 11th–13th century Romanesque sculpture. In contrast to Romanesque sculpture, which was closely related to architecture due to its decorative function, however, Gotesman's sculpture has no structural function. It is not sculpted in stone, but rather made of glowing and quivering phosphorous rubber. Like Pygmalion in Greek mythology — the Cypriot king who carved a female figure in stone, fell in love with her, thus bringing her to life — Gotesman awakens his sculpture by means of a hidden mechanism. The tall chair begins to vibrate, as if it were a wild and independent, grotesque, gigantic dildo. The erotic Greek myth thus acquires a current interpretation with an exaggerated comic hue ("Everything is about sex. Except sex. Sex is about power," as maintained by Frank Underwood, the arch-villain in the TV series House of Cards).
Gotesman's throne tower also alludes to the biblical Tower of Babel — the story of pride and lust for power that led to the confusion of tongues and the birth of nationalism. The bitter end of that tower — like the foretold end of the giant erections effectuated by power, mastery, and authority — implies the end of the one occupying this metaphoric throne, because it is the base of the pyramid that determines its stability in the long run.


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